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Vous avez sélectionné:
5 Pieces for String Quartet
Partitions à imprimer
225 partitions trouvées
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201
Adagio From Three Pieces For String Quartet
Adagio From Three Pieces For String Quartet
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Quatuor à cordes: 2 violons, alto, violoncelle
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AVANCÉ
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Thomas R
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Adagio From Three Pieces For S
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Thomas R. Schadl
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String Quartet String Quartet - Level 5 - SKU: A0.912484 Composed by Thomas R. Schadl. Contemporary,Instructional,Standards. Score and parts. 6 pages. T...
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String Quartet String Quartet - Level 5 - SKU: A0.912484 Composed by Thomas R. Schadl. Contemporary,Instructional,Standards. Score and parts. 6 pages. Thomas R. Schadl #3053987. Published by Thomas R. Schadl (A0.912484). Adagio From Three Pieces For String Quartet, like the Moderato From Three Pieces For String Quartet is based on B G# A C melodic configuration, the motive that unifies the three pieces. The piece is fugal in idiom, and may be performed for recitals, and may be used for studying contrapuntal forms. .
$7.95 ≈
7.36€
Moderato From Three Pieces For String Quartet
Moderato From Three Pieces For String Quartet
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Quatuor à cordes: 2 violons, alto, violoncelle
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AVANCÉ
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Thomas R
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Moderato From Three Pieces For
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Thomas R. Schadl
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String Quartet String Quartet - Level 5 - SKU: A0.912482 Composed by Thomas R. Schadl. Contemporary,Instructional,Standards. Score and parts. 7 pages. T...
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String Quartet String Quartet - Level 5 - SKU: A0.912482 Composed by Thomas R. Schadl. Contemporary,Instructional,Standards. Score and parts. 7 pages. Thomas R. Schadl #3053985. Published by Thomas R. Schadl (A0.912482). Moderato From Three Pieces For String Quartet is based on the motive B G# A C, that is transformed rhtythmicaly and notationaly. The work is a study on how the music starts with ambiguous tonality ends in the key of F Major.
$7.95 ≈
7.36€
5 Famous Songs by Bach for Baritone Sax Quartet
5 Famous Songs by Bach for Baritone Sax Quartet
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Quatuor de Saxophones: 4 saxophones
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FACILE
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Classique
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Christian Petzold, Johann Seba
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Ander
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5 Famous Songs by Bach for Bar
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Woods Only, Arrangements
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Saxophone Quartet,Woodwind Ensemble Baritone Saxophone - Level 2 - SKU: A0.1137884 Composed by Christian Petzold, Johann Sebastian Bach, and Martin Luth...
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Saxophone Quartet,Woodwind Ensemble Baritone Saxophone - Level 2 - SKU: A0.1137884 Composed by Christian Petzold, Johann Sebastian Bach, and Martin Luther. Arranged by Ander. Baroque,Easter,Renaissance,Sacred,Wedding. 44 pages. Woods Only, Arrangements #738138. Published by Woods Only, Arrangements (A0.1137884). This album contains 5 of Johann Sebastian Bach's most famous and versatile pieces for baritone quartet, all very well suited for the beginners who want to get to know the baroque repertoire. They are also suitable for performances at events such as: weddings, Christian and church ceremonies, Easter, and academic recitals or concerts. They can be used in music institutions and by teachers as repertoire material and study methods, either for performance or instrumental technique. This collection includes a totally free bonus for you to enjoy: Martin Luther's A Mighty Fortress is Our God, a Renaissance sacred song for choir, which has been adapted for this set. 1: Air on the G String - The original piece is part of Johann Sebastian Bach's Suite No. 3 for orchestra, in D Major, BWV 1068, written for Prince Leopold of Anhalt. The so-called Air on the G String dates from one of these latter employments. In the service of the Prince of Cöthen, Bach composed not only the famous Brandenburg Concertos, but also several orchestral suites, from the third of which comes the Air on the G String. This curious title derives from a later arrangement of this piece for violin solo, in which the melody is played entirely on the lower, higher string of the instrument. 2: Arioso - The Cantata 156 (BWV 156) was written for the third Sunday after Epiphany in 1729, and was first performed on January 23 of that year. The text is by Picander, one of Bach's favorite librettists. Of the four cantatas written by Bach for the feast, it was the last and only one scored for solo voice. This is a choral cantata, employing a choral melody in several movements. Cantata 156, in fact, employs two different choral melodies and texts in the second and sixth movements. A cantata is a sung symphony consisting of several parts, one of which is the Arioso, which is the initial instrumental part. 3: Jesu, joy of man's desiring - This is one of Bach's most beautiful cantatas, made famous by the Jesus the Joy of Men chorus. It was originally composed for Advent 1716 in Weimar. Years later, already in Leipzig, Advent was tempus clausum, there was no music in the churches. Bach then reworked it for the Feast of Mary's Visitation. It is the final chorale of the cantata Herz und Mund und Tat und Leben. Although it is the 32nd cantata composed by Bach, of those that have survived, it was given BWV 147 in the complete catalog of his works. 4: O Jesulein süss, o Jesulein mild - The Jesulein süß, the Jesulein mild is an original traditional German choral melody for voice and continuous bass arranged by Johann Sebastian Bach around 1735. With lyrics by Valentin Thilo, O Jesulein süss is a sacred melody adapted and catalogued as BWV 493. The first translation is by Dirk van Hogendorp, who made it more of a song for the time of suffering. 5: Minuet in G major - This famous piece has traditionally been attributed to Johann Sebastian Bach, as it appears in the Notebook for Anna Magdalena , a notebook that Bach gave to his wife Anna Magdalena in 1725 and which was to be filled with the favorite selections of Bach family members. However, recent research has concluded that this minuet, sometimes referred to as BWV Anhang 114. was probably composed by Christian Petzold, a German composer and organist contemporary with Bach. Bonus: A Mighty Fortress is Our God, by Martin Luther - Ein feste Burg ist unser Gott is a hymn written by Martin Luther probably before 1529. The melody was also considered his work for a long time, but it was created at least with the collaboration of Johann Walter. The song is of great symbolic power for Protestantism, where it is also known as Deus noster refugium et virtus. Considered one of the most important hymns in the history of Christianity, it was considered by the Christian poet Johann Heirich Heine (1797-1856) to be the Marseillaise of the Reformation, in an allusion to the French national anthem.
$31.99 ≈
29.63€
Six Very Easy Pieces nº 5 (Allegretto) - For String Quartet
Six Very Easy Pieces nº 5 (Allegretto) - For String Quartet
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Quatuor à cordes: 2 violons, alto, violoncelle
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DÉBUTANT
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Edward Elgar
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Henrique Oliveira
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Six Very Easy Pieces nº 5
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Henrique Oliveira
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String Quartet Cello,String Quartet,Viola,Violin - Level 1 - SKU: A0.1252208 By Edward Elgar. By Edward Elgar. Arranged by Henrique Oliveira. 20th Centu...
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String Quartet Cello,String Quartet,Viola,Violin - Level 1 - SKU: A0.1252208 By Edward Elgar. By Edward Elgar. Arranged by Henrique Oliveira. 20th Century,Chamber,Classical,Romantic Period,Traditional. 7 pages. Henrique Oliveira #846264. Published by Henrique Oliveira (A0.1252208). Beautiful and simple arrangement of the Six Very Easy Pieces nº5 by Edward Elgar for String Quartet, perfect to play among your friends, students or family. The PDF file is instantly available with the individual parts and the full score. For more arrangements like this, please make sure to check out my page. I hope you enjoy it and have a good practice!🙂.
$4.99 ≈
4.62€
Finale From Three Pieces For String Quartet
Finale From Three Pieces For String Quartet
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Quatuor à cordes: 2 violons, alto, violoncelle
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AVANCÉ
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Thomas R
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Finale From Three Pieces For S
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Thomas R. Schadl
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String Quartet String Quartet - Level 5 - SKU: A0.912485 Composed by Thomas R. Schadl. Contemporary,Instructional,Standards. Score and parts. 13 pages. ...
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String Quartet String Quartet - Level 5 - SKU: A0.912485 Composed by Thomas R. Schadl. Contemporary,Instructional,Standards. Score and parts. 13 pages. Thomas R. Schadl #3053991. Published by Thomas R. Schadl (A0.912485). The Finale From Three Pieces For String Quartet, like the Moderato and Adagio versions, consists of B G# A C theme, the motive that unifies the three pieces. In addition, the middle section includes D E flat C B motive that signifies the signature of Dmitri Shostakovich, and B flat A C B that represents BACH. Both motives are treated contrapuntally. This work is suitable for recital, as well as educational use that stresses on contrapuntal treatment of motives and the resolution of ambiguous tonality to the key of E Major. .
$9.95 ≈
9.22€
Five Short Pieces for String Quartet
Five Short Pieces for String Quartet
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Quatuor à cordes: 2 violons, alto, violoncelle
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INTERMÉDIAIRE
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Scott Slapin
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Five Short Pieces for String Q
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Violacentric Publications
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String Quartet Cello,String Quartet,Viola,Violin - Level 3 - SKU: A0.1134678 Composed by Scott Slapin. 20th Century,Baroque,Chamber,Classical,Instructio...
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String Quartet Cello,String Quartet,Viola,Violin - Level 3 - SKU: A0.1134678 Composed by Scott Slapin. 20th Century,Baroque,Chamber,Classical,Instructional. 77 pages. Violacentric Publications #734720. Published by Violacentric Publications (A0.1134678). Pieces include: Dirge (ideal for a memorial/funeral), Music History 101 (a music history lesson in 5 minutes), The Sounds of Hampshire County (sounds from Western Massachusetts), The Well-Tempered Beer (music for a beer garden), and Nocturne. Scores and parts included. *Sounds of Hampshire County may be played by String Quartet OR String Orchestra (solo parts marked). Intermediate - advanced level. Video: https://youtu.be/sQy_QpnElmY Music recorded by the Wistaria String Quartet. Available here: https://apple.co/2z0VEEu.
$35.00 ≈
32.42€
Capriccio from Four Pieces for String Quartet
Capriccio from Four Pieces for String Quartet
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Quatuor de Clarinettes: 4 clarinettes
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AVANCÉ
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Classique
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EnsembleSheetMusic
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Sjoerd van der Veen
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Capriccio from Four Pieces for
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Sjoerd van der Veen
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Woodwind Ensemble,Woodwind Quartet Clarinet - Level 5 - SKU: A0.546678 By EnsembleSheetMusic. By Felix Bartholdy Mendelssohn. Arranged by Sjoerd van der...
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Woodwind Ensemble,Woodwind Quartet Clarinet - Level 5 - SKU: A0.546678 By EnsembleSheetMusic. By Felix Bartholdy Mendelssohn. Arranged by Sjoerd van der Veen. Classical,Romantic Period. 26 pages. Sjoerd van der Veen #156623. Published by Sjoerd van der Veen (A0.546678). From Four Pieces for String Quartet, adapted for clarinet quartet. It is intense, lively, fast and virtuosic: Capriccio! Do you take the challenge?
$22.50 ≈
20.84€
Beethoven: Bagatelle Op. 33 No. 5 for String Quartet
Beethoven: Bagatelle Op. 33 No. 5 for String Quartet
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Quatuor à cordes: 2 violons, alto, violoncelle
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Ludwig van Beethoven
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James M
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Beethoven: Bagatelle Op. 33 No
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jmsgu3
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String Quartet Cello,String Quartet,Viola,Violin - Level 4 - SKU: A0.1208520 Composed by Ludwig van Beethoven (1770 â?? 1827). Arranged by James M. Guth...
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String Quartet Cello,String Quartet,Viola,Violin - Level 4 - SKU: A0.1208520 Composed by Ludwig van Beethoven (1770 – 1827). Arranged by James M. Guthrie, ASCAP. 19th Century,Chamber,Classical,Contest,Festival,Wedding. 15 pages. Jmsgu3 #806617. Published by jmsgu3 (A0.1208520). 5. Allegro ma non troppo.Beethoven's Bagatelles Op. 33 are quite typical of his early style, retaining many compositional features of the early Classical period.  The first bagatelle in particular is arguably one of Beethoven's most well-known pieces. While they may seem light-hearted and not to be taken too seriously, they are still well-crafted works that embody the younger Beethoven's style. The Bagatelles Op. 33 were composed by Beethoven in 1801-02 and published in 1803. Bagatelles are shorter and less complex than sonatas, often consisting of a single movement. They were intended to be played as light entertainment or as encores at the end of a concert.Bagatelle No. 5 of Beethoven's Op. 33 is a short piece that showcases the composer's mastery of melody and harmony. The piece is in the key of C major and is written in a simple ternary form, with a lively and playful opening theme that is followed by a contrasting middle section in the homotonic key of C minor. The opening theme is characterized by its use of syncopation, which give it a lively and energetic feel. The middle section, on the other hand, is more introspective and lyrical, with a more subdued and melancholic mood. The piece ends with a return to the opening theme, which is now played in a surprising and forceful manner. Overall, Bagatelle No. 5 is a charming and delightful piece that showcases Beethoven's skill in creating memorable melodies and harmonies within a concise and compact form.
$24.95 ≈
23.11€
Consecration (for String Quartet)
Consecration (for String Quartet)
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Quatuor à cordes: 2 violons, alto, violoncelle
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DÉBUTANT
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Musique Sacrée
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Sharon Wilson
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Sharon Wilson
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Consecration
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Sharon Wilson
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String Quartet Cello,String Quartet,Viola,Violin - Level 1 - SKU: A0.1078608 By Sharon Wilson. By F. Irvin and Sharon Wilson. Arranged by Sharon Wilson....
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String Quartet Cello,String Quartet,Viola,Violin - Level 1 - SKU: A0.1078608 By Sharon Wilson. By F. Irvin and Sharon Wilson. Arranged by Sharon Wilson. 20th Century,Children,Instructional,Praise & Worship,Sacred. Score and parts. 9 pages. Sharon Wilson #682833. Published by Sharon Wilson (A0.1078608). This song for string quartet is one of the five pieces in the collection Sacred Meditations for Strings. Designed for those times when a short, reflective musical interlude is needed, this selection takes less than one minute to perform (for a longer performance, this piece can easily be repeated from the beginning or from measure 12). This peaceful arrangement is ideal for filling those moments during or after a prelude, offertory, invitation, or communion, and equally suited for a wedding ceremony or reception. This is a straight-forward arrangement suitable for beginner to early intermediate string players with all notes playable in the first two positions. The gently flowing notes provide an excellent opportunity for mastering tone and vibrato as well as experimenting with various slurring techniques. The Violin 3 part is the same as the Viola part in case a Viola player is not available. The purchase price includes the 3 page combined score plus a 1 page, 1 staff score for each of the 5 parts. Visit Sharon Wilson's website: www.SharonWilsonMusic.comSubscribe to her YouTube Channel: www.youtube.com/user/SharonWilsonMusic
$4.99 ≈
4.62€
Grace Abounds (for String Quartet)
Grace Abounds (for String Quartet)
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Quatuor à cordes: 2 violons, alto, violoncelle
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DÉBUTANT
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Musique Sacrée
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Sharon Wilson
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Sharon Wilson
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Grace Abounds
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Sharon Wilson
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String Quartet Cello,String Quartet,Viola,Violin - Level 1 - SKU: A0.1078609 By Sharon Wilson. By F. Irvin and Sharon Wilson. Arranged by Sharon Wilson....
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String Quartet Cello,String Quartet,Viola,Violin - Level 1 - SKU: A0.1078609 By Sharon Wilson. By F. Irvin and Sharon Wilson. Arranged by Sharon Wilson. Children,Holiday,Instructional,Praise & Worship,Sacred. Score and parts. 9 pages. Sharon Wilson #682834. Published by Sharon Wilson (A0.1078609). This song for string quartet is one of the five pieces in the collection Sacred Meditations for Strings. Designed for those times when a short, reflective musical interlude is needed, this selection takes just over a half minute to perform (for a longer performance, this piece can easily be repeated). This quiet, prayerful arrangement is ideal for filling those moments during or after a prelude, offertory, invitation, or communion, and especially lovely as a prayer response or for a wedding. This is a straight-forward arrangement suitable for beginner to early intermediate string players with all notes playable in the first position (and the easiest of the five in this series). The gently flowing notes provide an excellent opportunity for mastering tone and vibrato as well as experimenting with various slurring techniques. The Violin 3 part is the same as the Viola part in case a Viola player is not available. The purchase price includes the 3 page combined score plus a 1 page, 1 staff score for each of the 5 parts. Visit Sharon Wilson's website: www.SharonWilsonMusic.comSubscribe to her YouTube Channel: www.youtube.com/user/SharonWilsonMusic
$4.99 ≈
4.62€
Quiet Reflection (for String Quartet)
Quiet Reflection (for String Quartet)
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Quatuor à cordes: 2 violons, alto, violoncelle
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DÉBUTANT
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Musique Sacrée
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Sharon Wilson
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Sharon Wilson
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Quiet Reflection
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Sharon Wilson
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String Quartet Cello,String Quartet,Viola,Violin - Level 1 - SKU: A0.1078606 By Sharon Wilson. By F. Irvin and Sharon Wilson. Arranged by Sharon Wilson....
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String Quartet Cello,String Quartet,Viola,Violin - Level 1 - SKU: A0.1078606 By Sharon Wilson. By F. Irvin and Sharon Wilson. Arranged by Sharon Wilson. 20th Century,Children,Instructional,Praise & Worship,Sacred. Score and parts. 9 pages. Sharon Wilson #682831. Published by Sharon Wilson (A0.1078606). This song for string quartet is one of the five pieces in the collection Sacred Meditations for Strings. Designed for those times when a short, reflective musical interlude is needed, this selection takes less than one minute to perform (for a longer performance, this piece can easily be repeated). This gently flowing arrangement is ideal for filling those moments during or after a prelude, offertory, invitation, or communion, and equally suited for a wedding ceremony or reception. This is a straight-forward arrangement suitable for beginner to early intermediate string players with all notes playable in the first two positions. The Cello and Violin 1 parts are slightly more challenging than the Viola and Violin 2 parts, but all parts provide an excellent opportunity for mastering tone and vibrato as well as experimenting with various slurring techniques. The Violin 3 part is the same as the Viola part in case a Viola player is not available. The purchase price includes the 3 page combined score plus a 1 page, 1 staff score for each of the 5 parts. Visit Sharon Wilson's website: www.SharonWilsonMusic.comSubscribe to her YouTube Channel: www.youtube.com/user/SharonWilsonMusic
$4.99 ≈
4.62€
Meditation (for String Quartet)
Meditation (for String Quartet)
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Quatuor à cordes: 2 violons, alto, violoncelle
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DÉBUTANT
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Sharon Wilson
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Sharon Wilson
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Meditation
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Sharon Wilson
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String Quartet Cello,String Quartet,Viola,Violin - Level 1 - SKU: A0.1078603 By Sharon Wilson. By F. Irvin and Sharon Wilson. Arranged by Sharon Wilson....
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String Quartet Cello,String Quartet,Viola,Violin - Level 1 - SKU: A0.1078603 By Sharon Wilson. By F. Irvin and Sharon Wilson. Arranged by Sharon Wilson. 20th Century,Contemporary,Praise & Worship,Sacred,Wedding. Score and parts. 9 pages. Sharon Wilson #682827. Published by Sharon Wilson (A0.1078603). This song for a string quartet is one of the five pieces in the collection Sacred Meditations for Strings. Designed for those times when a short, reflective musical interlude is needed, this selection takes less than one minute to perform. This quiet, prayerful arrangement is ideal for filling those moments during or after a prelude, offertory, invitation, or communion, and especially lovely as a prayer response or for a wedding. This is a straight-forward arrangement suitable for beginner to early intermediate string players with all notes playable in the first two positions. The gently flowing notes provide an excellent opportunity for mastering tone and vibrato as well as experimenting with various slurring techniques. The Violin 3 part is the same as the Viola part in case a Viola player is not available. The purchase price includes the 3 page combined score plus a 1 page, 1 staff score for each of the 5 parts.Visit Sharon Wilson's website: www.SharonWilsonMusic.comSubscribe to her YouTube Channel: www.youtube.com/user/SharonWilsonMusic
$4.99 ≈
4.62€
Three Pieces for String Quartet
Three Pieces for String Quartet
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Quatuor à cordes: 2 violons, alto, violoncelle
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AVANCÉ
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Jordan Grigg
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Three Pieces for String Quarte
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Jordan Grigg
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String Quartet Cello,String Quartet,Viola,Violin - Level 5 - SKU: A0.863878 Composed by Jordan Grigg. 20th Century,Concert,Standards. Score and parts. 2...
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String Quartet Cello,String Quartet,Viola,Violin - Level 5 - SKU: A0.863878 Composed by Jordan Grigg. 20th Century,Concert,Standards. Score and parts. 20 pages. Jordan Grigg #3395643. Published by Jordan Grigg (A0.863878).
$8.95 ≈
8.29€
Four 12-tone Pieces for String Quartet
Four 12-tone Pieces for String Quartet
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Quatuor à cordes: 2 violons, alto, violoncelle
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AVANCÉ
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Contemporain
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Jordan Grigg
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Four 12-tone Pieces for String
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Jordan Grigg
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String Quartet Cello,String Quartet,Viola,Violin - Level 5 - SKU: A0.862841 Composed by Jordan Grigg. 20th Century,Contemporary. Score and parts. 29 pag...
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String Quartet Cello,String Quartet,Viola,Violin - Level 5 - SKU: A0.862841 Composed by Jordan Grigg. 20th Century,Contemporary. Score and parts. 29 pages. Jordan Grigg #59705. Published by Jordan Grigg (A0.862841).
$10.99 ≈
10.18€
Six Christmas Pieces (Sechs Kinderstücke für das Pianoforte) Op.72: Number 5 of 6 - string quartet
Six Christmas Pieces (Sechs Kinderstücke für das Pianoforte) Op.72: Number 5 of 6 - string quartet
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Quatuor à cordes: 2 violons, alto, violoncelle
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Felix Bartholdy Mendelssohn
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Austin Ralphson
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Six Christmas Pieces
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Austin Ralphson
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String Quartet Cello,String Quartet,Viola,Violin - Level 4 - SKU: A0.563648 Composed by Felix Bartholdy Mendelssohn. Arranged by Austin Ralphson. Christ...
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String Quartet Cello,String Quartet,Viola,Violin - Level 4 - SKU: A0.563648 Composed by Felix Bartholdy Mendelssohn. Arranged by Austin Ralphson. Christmas,Concert,Romantic Period,Standards,Wedding. Score and parts. 15 pages. Austin Ralphson #4350571. Published by Austin Ralphson (A0.563648). Mendelssohn composed these six short piano pieces as Christmas presents for various young members of his family whilst visiting London in 1842. They translate very well to a small ensemble arrangement and can be performed successfully by a competent group without a problem. This is number five of the six.Complete string catalogue arr. Austin Ralphson is here (copy and paste to new tab):www.ralphsonstrings.com
$4.99 ≈
4.62€
"Die Zauberflöte" for String Quartet, No.16, "Nur stille! stille!"
"Die Zauberflöte" for String Quartet, No.16, "Nur stille! stille!"
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Quatuor à cordes: 2 violons, alto, violoncelle
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INTERMÉDIAIRE
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Classique
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Wolfgang Amadeus Mozart
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Franz Danzi
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"Die Zauberflöte&quo
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ACORDO Sheet Music
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String Quartet String Quartet - Level 3 - SKU: A0.778045 Composed by Wolfgang Amadeus Mozart. Arranged by Franz Danzi. Classical. Score and parts. 6 pag...
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String Quartet String Quartet - Level 3 - SKU: A0.778045 Composed by Wolfgang Amadeus Mozart. Arranged by Franz Danzi. Classical. Score and parts. 6 pages. ACORDO Sheet Music #5988465. Published by ACORDO Sheet Music (A0.778045). Danzi, Franz Ignaz (1763-1826) was a German composer. His works are not so popular. Only his wind quintets are know among woodwind players. He revered W. A. Mozart, and arranged Die Zauberflöte for string quartets. A set of the part notes was published by M. Falter, Munich around 1800. His arrangement consists of 17 pieces as follows. No.1, Hm! Hm! Hm! Hm! No.2, Zum Leiden bin ich auserkoren No.3, Schnelle Füsse rascher Mut No.4, Es lebe Sarastro Sarastro lebe! No.5, Herr ich bin zwar Verbrecherin No.6, Wenn tugend und gerechtigkeit No.7, Wie? wie? wie? No.8, O Isis und Osiris No.9, Bald prengt den Morgen zu verkünden No.10, Der, welcher wandert diese Straße voll Beschwerden No.11, Tamino mein! No.12, Wir wandelten durch Feuersgluten No.13, Papagena! Papagena! Weibchen! Täubchen! No.14, Klinget, Glockchen, klinget! No.15, Pa-Pa-Pa-Papageno No.16, Nur stille! stille! No.17, Heil sei euch GeweihtenThe arrangement was very faithful to the original, and is valuable in that players could enjoy the wonderful music as a chamber music.We first made the transcript of the sheet music published by M. Falter, and combined them to make scores. The scores show some discrepancies, which are usual in such old music notes, and was revised to obtain unified styles and articulations. In the revising, we referred the original score by Mozart.No.16, Nur stille! stille! is for Monostatos, the Queen of the Night, and the three ladies. They are going to sneak into the temple. Thunder, lightning, and tempest interrupt them, and finally they go to hell. Danzi's arrangement ends just before the thunder.
$7.80 ≈
7.23€
Beethoven: Adagio from Sonata Pathetique for Bass Clarinet & Piano
Beethoven: Adagio from Sonata Pathetique for Bass Clarinet & Piano
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Clarinette Basse, Piano
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INTERMÉDIAIRE
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Classique
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Ludwig van Beethoven
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James M
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piano concertos 1-5
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Beethoven: Adagio from Sonata
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jmsgu3
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Bass Clarinet,Piano - Level 3 - SKU: A0.549648 Composed by Ludwig van Beethoven. Arranged by James M. Guthrie, ASCAP. Concert,Instructional,Romantic Per...
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Bass Clarinet,Piano - Level 3 - SKU: A0.549648 Composed by Ludwig van Beethoven. Arranged by James M. Guthrie, ASCAP. Concert,Instructional,Romantic Period,Sacred,Standards. Score and part. 16 pages. Jmsgu3 #3516889. Published by jmsgu3 (A0.549648). Duration: ca 5:20, Score: 8 pages, solo part: 3 pages, piano part: 4 pages. One of Beethoven's finest and most famous works. Program for a recital, church meditation or school program. Bring your best espressivo and plan to rehearse the many subtle dynamic changes.Sonata Pathétique Op. 13 First of all, this is an arrangement of the second movement of Beethoven’s Sonata Pathétique. It seems like Beethoven wrote this piece before becoming troubled by deafness. Published in 1799, it consequently remains one of the most celebrated pieces Beethoven ever wrote. As a result of its popularity, the movement was therefore performed by Karl Haas. Hass recorded it for a popular radio show called: Adventures in Good Music. Beethoven Background Ludwig van Beethoven (1770 –1827) was certainly a German pianist. Above all, he was probably one of the greatest composers in history. As a result, he is a pivotal character in the progress between the Classical and Romantic periods. He is certainly one of the most famous and hence important of all composers. Seems like his most familiar and noteworthy works include symphonies 1-9; piano concertos 1-5; and furthermore, the violin concerto. Also, certainly of extreme importance are the noteworthy 32 sonatas for the piano; the string quartets 1-16; the Missa solemnis; and likewise, his only opera, Fidelio. Beethoven Overview First of all, Beethoven was born and consequently raised in Bonn. Upon turning 21 he moved to Vienna probably to study composition with Haydn. That’s when he consequently grew a reputation as a brilliant pianist. Furthermore, he probably stayed in Vienna for the rest of his life. In his late 20s, it seems like his hearing certainly began to decline. It slowly declined until consequently, he was nearly totally deaf probably by the last decade of his life. As a result, he stopped conducting and performing. Nevertheless, he continued to compose. As a result, some of his greatest works probably come from this period. First Period Seems like we often divide Beethoven’s life into three periods. Period 1 begins with Beethoven’s arrival in Vienna. Hence, during this period, he mastered the Viennese style of Haydn & Mozart. He consequently began increasing the size and scale of his works. Furthermore, he experimented with extreme dynamics, and likewise extreme tempi. He worked similarly with chromatic harmony. His First and Second Symphonies, therefore, belong to this period. Other important works also belong here: the first six string quartets and the Sonata Pathétique, Op. 13. Second Period His second period probably began as soon as he realized that he was going deaf. During this period, it seems like he became obsessed with the idea of heroism. His works consequently become even larger and more massive. The most noteworthy of these include the symphonies 3 – 8, piano concertos 5& 6, 5 string quartets, several important piano sonatas (Waldstein and Appassionata), the Kreutzer violin sonata, the violin concerto and his only opera: Fidelio. Third Period In contrast, Beethoven's third period is branded above all by works of incredible intellectual depth, formal innovation, and penetrating expression. It seems like he continued to expand his works. Consequently, the string quartet Op. 131 spills over into seven connected movements. Likewise, in the Ninth Symphony, he adds choral forces to his orchestra probably for the first time in history. Even more, other works from this period include his Missa solemnis, the final 5 string quartets (including the enormous Große Fuge) and the final five sonatas for piano. Register for free lifetime revisions and updates at www.jamesguthrie.com
$24.95 ≈
23.11€
Beethoven: Adagio from Sonata Pathetique for Alto Flute & Piano
Beethoven: Adagio from Sonata Pathetique for Alto Flute & Piano
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Flûte traversière et Piano
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INTERMÉDIAIRE
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Classique
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Ludwig van Beethoven
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James M
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piano concertos 1-5
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Beethoven: Adagio from Sonata
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jmsgu3
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Flute,Piano - Level 3 - SKU: A0.549643 Composed by Ludwig van Beethoven. Arranged by James M. Guthrie, ASCAP. Concert,Instructional,Romantic Period,Sacr...
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Flute,Piano - Level 3 - SKU: A0.549643 Composed by Ludwig van Beethoven. Arranged by James M. Guthrie, ASCAP. Concert,Instructional,Romantic Period,Sacred,Standards. Score and part. 16 pages. Jmsgu3 #3516599. Published by jmsgu3 (A0.549643). Duration: ca 5:20, Score: 8 pages, solo part: 3 pages, piano part: 4 pages. One of Beethoven's finest and most famous works. Program for a recital, church meditation or school program. Bring your best espressivo and plan to rehearse the many subtle dynamic changes.Sonata Pathétique Op. 13 First of all, this is an arrangement of the second movement of Beethoven’s Sonata Pathétique. It seems like Beethoven wrote this piece before becoming troubled by deafness. Published in 1799, it consequently remains one of the most celebrated pieces Beethoven ever wrote. As a result of its popularity, the movement was therefore performed by Karl Haas. Hass recorded it for a popular radio show called: Adventures in Good Music. Beethoven Background Ludwig van Beethoven (1770 –1827) was certainly a German pianist. Above all, he was probably one of the greatest composers in history. As a result, he is a pivotal character in the progress between the Classical and Romantic periods. He is certainly one of the most famous and hence important of all composers. Seems like his most familiar and noteworthy works include symphonies 1-9; piano concertos 1-5; and furthermore, the violin concerto. Also, certainly of extreme importance are the noteworthy 32 sonatas for the piano; the string quartets 1-16; the Missa solemnis; and likewise, his only opera, Fidelio. Beethoven Overview First of all, Beethoven was born and consequently raised in Bonn. Upon turning 21 he moved to Vienna probably to study composition with Haydn. That’s when he consequently grew a reputation as a brilliant pianist. Furthermore, he probably stayed in Vienna for the rest of his life. In his late 20s, it seems like his hearing certainly began to decline. It slowly declined until consequently, he was nearly totally deaf probably by the last decade of his life. As a result, he stopped conducting and performing. Nevertheless, he continued to compose. As a result, some of his greatest works probably come from this period. First Period Seems like we often divide Beethoven’s life into three periods. Period 1 begins with Beethoven’s arrival in Vienna. Hence, during this period, he mastered the Viennese style of Haydn & Mozart. He consequently began increasing the size and scale of his works. Furthermore, he experimented with extreme dynamics, and likewise extreme tempi. He worked similarly with chromatic harmony. His First and Second Symphonies, therefore, belong to this period. Other important works also belong here: the first six string quartets and the Sonata Pathétique, Op. 13. Second Period His second period probably began as soon as he realized that he was going deaf. During this period, it seems like he became obsessed with the idea of heroism. His works consequently become even larger and more massive. The most noteworthy of these include the symphonies 3 – 8, piano concertos 5& 6, 5 string quartets, several important piano sonatas (Waldstein and Appassionata), the Kreutzer violin sonata, the violin concerto and his only opera: Fidelio. Third Period In contrast, Beethoven's third period is branded above all by works of incredible intellectual depth, formal innovation, and penetrating expression. It seems like he continued to expand his works. Consequently, the string quartet Op. 131 spills over into seven connected movements. Likewise, in the Ninth Symphony, he adds choral forces to his orchestra probably for the first time in history. Even more, other works from this period include his Missa solemnis, the final 5 string quartets (including the enormous Große Fuge) and the final five sonatas for piano. Register for free lifetime revisions and updates at www.jamesguthrie.com
$24.95 ≈
23.11€
Beethoven: Adagio from Sonata Pathetique for Alto Sax & Piano
Beethoven: Adagio from Sonata Pathetique for Alto Sax & Piano
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Saxophone Alto et Piano
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INTERMÉDIAIRE
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Classique
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Ludwig van Beethoven
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James M
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piano concertos 1-5
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Beethoven: Adagio from Sonata
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jmsgu3
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Alto Saxophone,Piano - Level 3 - SKU: A0.549639 Composed by Ludwig van Beethoven. Arranged by James M. Guthrie, ASCAP. Concert,Instructional,Romantic Pe...
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Alto Saxophone,Piano - Level 3 - SKU: A0.549639 Composed by Ludwig van Beethoven. Arranged by James M. Guthrie, ASCAP. Concert,Instructional,Romantic Period,Sacred,Standards. Score and part. 16 pages. Jmsgu3 #3516567. Published by jmsgu3 (A0.549639). Duration: ca 5:20, Score: 8 pages, solo part: 3 pages, piano part: 4 pages.One of Beethoven's finest and most famous works. Program for a recital, church meditation or school program.Bring your best espressivo and plan to rehearse the many subtle dynamic changes.Sonata Pathétique Op. 13 First of all, this is an arrangement of the second movement of Beethoven’s Sonata Pathétique. It seems like Beethoven wrote this piece before becoming troubled by deafness. Published in 1799, it consequently remains one of the most celebrated pieces Beethoven ever wrote. As a result of its popularity, the movement was therefore performed by Karl Haas. Hass recorded it for a popular radio show called: Adventures in Good Music. Beethoven Background Ludwig van Beethoven (1770 –1827) was certainly a German pianist. Above all, he was probably one of the greatest composers in history. As a result, he is a pivotal character in the progress between the Classical and Romantic periods. He is certainly one of the most famous and hence important of all composers. Seems like his most familiar and noteworthy works include symphonies 1-9; piano concertos 1-5; and furthermore, the violin concerto. Also, certainly of extreme importance are the noteworthy 32 sonatas for the piano; the string quartets 1-16; the Missa solemnis; and likewise, his only opera, Fidelio. Beethoven Overview First of all, Beethoven was born and consequently raised in Bonn. Upon turning 21 he moved to Vienna probably to study composition with Haydn. That’s when he consequently grew a reputation as a brilliant pianist. Furthermore, he probably stayed in Vienna for the rest of his life. In his late 20s, it seems like his hearing certainly began to decline. It slowly declined until consequently, he was nearly totally deaf probably by the last decade of his life. As a result, he stopped conducting and performing. Nevertheless, he continued to compose. As a result, some of his greatest works probably come from this period. First Period Seems like we often divide Beethoven’s life into three periods. Period 1 begins with Beethoven’s arrival in Vienna. Hence, during this period, he mastered the Viennese style of Haydn & Mozart. He consequently began increasing the size and scale of his works. Furthermore, he experimented with extreme dynamics, and likewise extreme tempi. He worked similarly with chromatic harmony. His First and Second Symphonies, therefore, belong to this period. Other important works also belong here: the first six string quartets and the Sonata Pathétique, Op. 13. Second Period His second period probably began as soon as he realized that he was going deaf. During this period, it seems like he became obsessed with the idea of heroism. His works consequently become even larger and more massive. The most noteworthy of these include the symphonies 3 – 8, piano concertos 5& 6, 5 string quartets, several important piano sonatas (Waldstein and Appassionata), the Kreutzer violin sonata, the violin concerto and his only opera: Fidelio. Third Period In contrast, Beethoven's third period is branded above all by works of incredible intellectual depth, formal innovation, and penetrating expression. It seems like he continued to expand his works. Consequently, the string quartet Op. 131 spills over into seven connected movements. Likewise, in the Ninth Symphony, he adds choral forces to his orchestra probably for the first time in history. Even more, other works from this period include his Missa solemnis, the final 5 string quartets (including the enormous Große Fuge) and the final five sonatas for piano. Register for free lifetime revisions and updates at www.jamesguthrie.co.
$24.95 ≈
23.11€
Beethoven: Adagio from Sonata Pathetique for Flute & Piano
Beethoven: Adagio from Sonata Pathetique for Flute & Piano
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Flûte traversière et Piano
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INTERMÉDIAIRE
#
Classique
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Ludwig van Beethoven
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James M
#
piano concertos 1-5
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Beethoven: Adagio from Sonata
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jmsgu3
#
Flute,Piano - Level 3 - SKU: A0.549636 Composed by Ludwig van Beethoven. Arranged by James M. Guthrie, ASCAP. Concert,Instructional,Romantic Period,Sacr...
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Flute,Piano - Level 3 - SKU: A0.549636 Composed by Ludwig van Beethoven. Arranged by James M. Guthrie, ASCAP. Concert,Instructional,Romantic Period,Sacred,Standards. Score and part. 16 pages. Jmsgu3 #3516309. Published by jmsgu3 (A0.549636). Duration: ca 5:20, Score: 8 pages, solo part: 3 pages, piano part: 4 pages. One of Beethoven's finest and most famous works. Program for a recital, church meditation or school program. Sonata Pathétique Op. 13 First of all, this is an arrangement of the second movement of Beethoven’s Sonata Pathétique. It seems like Beethoven wrote this piece before becoming troubled by deafness. Published in 1799, it consequently remains one of the most celebrated pieces Beethoven ever wrote. As a result of its popularity, the movement was therefore performed by Karl Haas. Hass recorded it for a popular radio show called: Adventures in Good Music. Beethoven Background Ludwig van Beethoven (1770 –1827) was certainly a German pianist. Above all, he was probably one of the greatest composers in history. As a result, he is a pivotal character in the progress between the Classical and Romantic periods. He is certainly one of the most famous and hence important of all composers. Seems like his most familiar and noteworthy works include symphonies 1-9; piano concertos 1-5; and furthermore, the violin concerto. Also, certainly of extreme importance are the noteworthy 32 sonatas for the piano; the string quartets 1-16; the Missa solemnis; and likewise, his only opera, Fidelio. Beethoven Overview First of all, Beethoven was born and consequently raised in Bonn. Upon turning 21 he moved to Vienna probably to study composition with Haydn. That’s when he consequently grew a reputation as a brilliant pianist. Furthermore, he probably stayed in Vienna for the rest of his life. In his late 20s, it seems like his hearing certainly began to decline. It slowly declined until consequently, he was nearly totally deaf probably by the last decade of his life. As a result, he stopped conducting and performing. Nevertheless, he continued to compose. As a result, some of his greatest works probably come from this period. First Period Seems like we often divide Beethoven’s life into three periods. Period 1 begins with Beethoven’s arrival in Vienna. Hence, during this period, he mastered the Viennese style of Haydn & Mozart. He consequently began increasing the size and scale of his works. Furthermore, he experimented with extreme dynamics, and likewise extreme tempi. He worked similarly with chromatic harmony. His First and Second Symphonies, therefore, belong to this period. Other important works also belong here: the first six string quartets and the Sonata Pathétique, Op. 13. Second Period His second period probably began as soon as he realized that he was going deaf. During this period, it seems like he became obsessed with the idea of heroism. His works consequently become even larger and more massive. The most noteworthy of these include the symphonies 3 – 8, piano concertos 5& 6, 5 string quartets, several important piano sonatas (Waldstein and Appassionata), the Kreutzer violin sonata, the violin concerto and his only opera: Fidelio. Third Period In contrast, Beethoven's third period is branded above all by works of incredible intellectual depth, formal innovation, and penetrating expression. It seems like he continued to expand his works. Consequently, the string quartet Op. 131 spills over into seven connected movements. Likewise, in the Ninth Symphony, he adds choral forces to his orchestra probably for the first time in history. Even more, other works from this period include his Missa solemnis, the final 5 string quartets (including the enormous Große Fuge) and the final five sonatas for piano.
$24.95 ≈
23.11€
Beethoven: Adagio from Sonata Pathetique for French Horn & Piano
Beethoven: Adagio from Sonata Pathetique for French Horn & Piano
#
Cor et Piano
#
INTERMÉDIAIRE
#
Classique
#
Ludwig van Beethoven
#
James M
#
piano concertos 1-5
#
Beethoven: Adagio from Sonata
#
jmsgu3
#
French Horn,Piano - Level 3 - SKU: A0.549653 Composed by Ludwig van Beethoven. Arranged by James M. Guthrie, ASCAP. Concert,Instructional,Romantic Perio...
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French Horn,Piano - Level 3 - SKU: A0.549653 Composed by Ludwig van Beethoven. Arranged by James M. Guthrie, ASCAP. Concert,Instructional,Romantic Period,Sacred,Standards. Score and part. 16 pages. Jmsgu3 #3516943. Published by jmsgu3 (A0.549653). Duration: ca 5:20, Score: 8 pages, solo part: 3 pages, piano part: 4 pages. One of Beethoven's finest and most famous works. Program for a recital, church meditation or school program. Bring your best espressivo and plan to rehearse the many subtle dynamic changes.Sonata Pathétique Op. 13 First of all, this is an arrangement of the second movement of Beethoven’s Sonata Pathétique. It seems like Beethoven wrote this piece before becoming troubled by deafness. Published in 1799, it consequently remains one of the most celebrated pieces Beethoven ever wrote. As a result of its popularity, the movement was therefore performed by Karl Haas. Hass recorded it for a popular radio show called: Adventures in Good Music. Beethoven Background Ludwig van Beethoven (1770 –1827) was certainly a German pianist. Above all, he was probably one of the greatest composers in history. As a result, he is a pivotal character in the progress between the Classical and Romantic periods. He is certainly one of the most famous and hence important of all composers. Seems like his most familiar and noteworthy works include symphonies 1-9; piano concertos 1-5; and furthermore, the violin concerto. Also, certainly of extreme importance are the noteworthy 32 sonatas for the piano; the string quartets 1-16; the Missa solemnis; and likewise, his only opera, Fidelio. Beethoven Overview First of all, Beethoven was born and consequently raised in Bonn. Upon turning 21 he moved to Vienna probably to study composition with Haydn. That’s when he consequently grew a reputation as a brilliant pianist. Furthermore, he probably stayed in Vienna for the rest of his life. In his late 20s, it seems like his hearing certainly began to decline. It slowly declined until consequently, he was nearly totally deaf probably by the last decade of his life. As a result, he stopped conducting and performing. Nevertheless, he continued to compose. As a result, some of his greatest works probably come from this period. First Period Seems like we often divide Beethoven’s life into three periods. Period 1 begins with Beethoven’s arrival in Vienna. Hence, during this period, he mastered the Viennese style of Haydn & Mozart. He consequently began increasing the size and scale of his works. Furthermore, he experimented with extreme dynamics, and likewise extreme tempi. He worked similarly with chromatic harmony. His First and Second Symphonies, therefore, belong to this period. Other important works also belong here: the first six string quartets and the Sonata Pathétique, Op. 13. Second Period His second period probably began as soon as he realized that he was going deaf. During this period, it seems like he became obsessed with the idea of heroism. His works consequently become even larger and more massive. The most noteworthy of these include the symphonies 3 – 8, piano concertos 5& 6, 5 string quartets, several important piano sonatas (Waldstein and Appassionata), the Kreutzer violin sonata, the violin concerto and his only opera: Fidelio. Third Period In contrast, Beethoven's third period is branded above all by works of incredible intellectual depth, formal innovation, and penetrating expression. It seems like he continued to expand his works. Consequently, the string quartet Op. 131 spills over into seven connected movements. Likewise, in the Ninth Symphony, he adds choral forces to his orchestra probably for the first time in history. Even more, other works from this period include his Missa solemnis, the final 5 string quartets (including the enormous Große Fuge) and the final five sonatas for piano. www.jamesguthrie.com.
$24.95 ≈
23.11€
Beethoven: Adagio from Sonata Pathetique for Baritone Horn & Piano
Beethoven: Adagio from Sonata Pathetique for Baritone Horn & Piano
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Classique
#
Ludwig van Beethoven
#
James M
#
piano concertos 1-5
#
Beethoven: Adagio from Sonata
#
jmsgu3
#
Baritone Horn TC,Euphonium,Piano - Level 3 - SKU: A0.552860 Composed by Ludwig van Beethoven. Arranged by James M. Guthrie, ASCAP. Concert,Instructional...
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Baritone Horn TC,Euphonium,Piano - Level 3 - SKU: A0.552860 Composed by Ludwig van Beethoven. Arranged by James M. Guthrie, ASCAP. Concert,Instructional,Romantic Period,Sacred,Standards. Score and part. 16 pages. Jmsgu3 #3516929. Published by jmsgu3 (A0.552860). Duration: ca 5:20, Score: 8 pages, solo part: 3 pages, piano part: 4 pages. One of Beethoven's finest and most famous works. Program for a recital, church meditation or school program. Bring your best espressivo and plan to rehearse the many subtle dynamic changes.Sonata Pathétique Op. 13 First of all, this is an arrangement of the second movement of Beethoven’s Sonata Pathétique. It seems like Beethoven wrote this piece before becoming troubled by deafness. Published in 1799, it consequently remains one of the most celebrated pieces Beethoven ever wrote. As a result of its popularity, the movement was therefore performed by Karl Haas. Hass recorded it for a popular radio show called: Adventures in Good Music. Beethoven Background Ludwig van Beethoven (1770 –1827) was certainly a German pianist. Above all, he was probably one of the greatest composers in history. As a result, he is a pivotal character in the progress between the Classical and Romantic periods. He is certainly one of the most famous and hence important of all composers. Seems like his most familiar and noteworthy works include symphonies 1-9; piano concertos 1-5; and furthermore, the violin concerto. Also, certainly of extreme importance are the noteworthy 32 sonatas for the piano; the string quartets 1-16; the Missa solemnis; and likewise, his only opera, Fidelio. Beethoven Overview First of all, Beethoven was born and consequently raised in Bonn. Upon turning 21 he moved to Vienna probably to study composition with Haydn. That’s when he consequently grew a reputation as a brilliant pianist. Furthermore, he probably stayed in Vienna for the rest of his life. In his late 20s, it seems like his hearing certainly began to decline. It slowly declined until consequently, he was nearly totally deaf probably by the last decade of his life. As a result, he stopped conducting and performing. Nevertheless, he continued to compose. As a result, some of his greatest works probably come from this period. First Period Seems like we often divide Beethoven’s life into three periods. Period 1 begins with Beethoven’s arrival in Vienna. Hence, during this period, he mastered the Viennese style of Haydn & Mozart. He consequently began increasing the size and scale of his works. Furthermore, he experimented with extreme dynamics, and likewise extreme tempi. He worked similarly with chromatic harmony. His First and Second Symphonies, therefore, belong to this period. Other important works also belong here: the first six string quartets and the Sonata Pathétique, Op. 13. Second Period His second period probably began as soon as he realized that he was going deaf. During this period, it seems like he became obsessed with the idea of heroism. His works consequently become even larger and more massive. The most noteworthy of these include the symphonies 3 – 8, piano concertos 5& 6, 5 string quartets, several important piano sonatas (Waldstein and Appassionata), the Kreutzer violin sonata, the violin concerto and his only opera: Fidelio. Third Period In contrast, Beethoven's third period is branded above all by works of incredible intellectual depth, formal innovation, and penetrating expression. It seems like he continued to expand his works. Consequently, the string quartet Op. 131 spills over into seven connected movements. Likewise, in the Ninth Symphony, he adds choral forces to his orchestra probably for the first time in history. Even more, other works from this period include his Missa solemnis, the final 5 string quartets (including the enormous Große Fuge) and the final five sonatas for piano.
$24.95 ≈
23.11€
Beethoven: Adagio from Sonata Pathetique for Bass Flute & Piano
Beethoven: Adagio from Sonata Pathetique for Bass Flute & Piano
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Classique
#
Ludwig van Beethoven
#
James M
#
piano concertos 1-5
#
Beethoven: Adagio from Sonata
#
jmsgu3
#
Bass Flute,Instrumental Solo,Piano - Level 3 - SKU: A0.549644 Composed by Ludwig van Beethoven. Arranged by James M. Guthrie, ASCAP. Concert,Instruction...
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Bass Flute,Instrumental Solo,Piano - Level 3 - SKU: A0.549644 Composed by Ludwig van Beethoven. Arranged by James M. Guthrie, ASCAP. Concert,Instructional,Romantic Period,Sacred,Standards. Score and individual part. 16 pages. Jmsgu3 #3516861. Published by jmsgu3 (A0.549644). Duration: ca 5:20, Score: 8 pages, solo part: 3 pages, piano part: 4 pages. One of Beethoven's finest and most famous works. Program for a recital, church meditation or school program. Bring your best espressivo and plan to rehearse the many subtle dynamic changes. Sonata Pathétique Op. 13 First of all, this is an arrangement of the second movement of Beethoven’s Sonata Pathétique. It seems like Beethoven wrote this piece before becoming troubled by deafness. Published in 1799, it consequently remains one of the most celebrated pieces Beethoven ever wrote. As a result of its popularity, the movement was therefore performed by Karl Haas. Hass recorded it for a popular radio show called: Adventures in Good Music. Beethoven Background Ludwig van Beethoven (1770 –1827) was certainly a German pianist. Above all, he was probably one of the greatest composers in history. As a result, he is a pivotal character in the progress between the Classical and Romantic periods. He is certainly one of the most famous and hence important of all composers. Seems like his most familiar and noteworthy works include symphonies 1-9; piano concertos 1-5; and furthermore, the violin concerto. Also, certainly of extreme importance are the noteworthy 32 sonatas for the piano; the string quartets 1-16; the Missa solemnis; and likewise, his only opera, Fidelio. Beethoven Overview First of all, Beethoven was born and consequently raised in Bonn. Upon turning 21 he moved to Vienna probably to study composition with Haydn. That’s when he consequently grew a reputation as a brilliant pianist. Furthermore, he probably stayed in Vienna for the rest of his life. In his late 20s, it seems like his hearing certainly began to decline. It slowly declined until consequently, he was nearly totally deaf probably by the last decade of his life. As a result, he stopped conducting and performing. Nevertheless, he continued to compose. As a result, some of his greatest works probably come from this period. First Period Seems like we often divide Beethoven’s life into three periods. Period 1 begins with Beethoven’s arrival in Vienna. Hence, during this period, he mastered the Viennese style of Haydn & Mozart. He consequently began increasing the size and scale of his works. Furthermore, he experimented with extreme dynamics, and likewise extreme tempi. He worked similarly with chromatic harmony. His First and Second Symphonies, therefore, belong to this period. Other important works also belong here: the first six string quartets and the Sonata Pathétique, Op. 13. Second Period His second period probably began as soon as he realized that he was going deaf. During this period, it seems like he became obsessed with the idea of heroism. His works consequently become even larger and more massive. The most noteworthy of these include the symphonies 3 – 8, piano concertos 5& 6, 5 string quartets, several important piano sonatas (Waldstein and Appassionata), the Kreutzer violin sonata, the violin concerto and his only opera: Fidelio. Third Period In contrast, Beethoven's third period is branded above all by works of incredible intellectual depth, formal innovation, and penetrating expression. It seems like he continued to expand his works. Consequently, the string quartet Op. 131 spills over into seven connected movements. Likewise, in the Ninth Symphony, he adds choral forces to his orchestra probably for the first time in history. Even more, other works from this period include his Missa solemnis, the final 5 string quartets (including the enormous Große Fuge) and the final five sonatas for piano. www.jamesguthrie.com.
$24.95 ≈
23.11€
Beethoven: Adagio from Sonata Pathetique for Trombone & Piano
Beethoven: Adagio from Sonata Pathetique for Trombone & Piano
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Trombone et Piano
#
INTERMÉDIAIRE
#
Classique
#
Ludwig van Beethoven
#
James M
#
piano concertos 1-5
#
Beethoven: Adagio from Sonata
#
jmsgu3
#
Piano,Trombone - Level 3 - SKU: A0.549651 Composed by Ludwig van Beethoven. Arranged by James M. Guthrie, ASCAP. Concert,Instructional,Romantic Period,S...
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Piano,Trombone - Level 3 - SKU: A0.549651 Composed by Ludwig van Beethoven. Arranged by James M. Guthrie, ASCAP. Concert,Instructional,Romantic Period,Sacred,Standards. Score and part. 16 pages. Jmsgu3 #3516933. Published by jmsgu3 (A0.549651). Duration: ca 5:20, Score: 8 pages, solo part: 3 pages, piano part: 4 pages. One of Beethoven's finest and most famous works. Program for a recital, church meditation or school program. Bring your best espressivo and plan to rehearse the many subtle dynamic changes. Sonata Pathétique Op. 13 First of all, this is an arrangement of the second movement of Beethoven’s Sonata Pathétique. It seems like Beethoven wrote this piece before becoming troubled by deafness. Published in 1799, it consequently remains one of the most celebrated pieces Beethoven ever wrote. As a result of its popularity, the movement was therefore performed by Karl Haas. Hass recorded it for a popular radio show called: Adventures in Good Music. Beethoven Background Ludwig van Beethoven (1770 –1827) was certainly a German pianist. Above all, he was probably one of the greatest composers in history. As a result, he is a pivotal character in the progress between the Classical and Romantic periods. He is certainly one of the most famous and hence important of all composers. Seems like his most familiar and noteworthy works include symphonies 1-9; piano concertos 1-5; and furthermore, the violin concerto. Also, certainly of extreme importance are the noteworthy 32 sonatas for the piano; the string quartets 1-16; the Missa solemnis; and likewise, his only opera, Fidelio. Beethoven Overview First of all, Beethoven was born and consequently raised in Bonn. Upon turning 21 he moved to Vienna probably to study composition with Haydn. That’s when he consequently grew a reputation as a brilliant pianist. Furthermore, he probably stayed in Vienna for the rest of his life. In his late 20s, it seems like his hearing certainly began to decline. It slowly declined until consequently, he was nearly totally deaf probably by the last decade of his life. As a result, he stopped conducting and performing. Nevertheless, he continued to compose. As a result, some of his greatest works probably come from this period. First Period Seems like we often divide Beethoven’s life into three periods. Period 1 begins with Beethoven’s arrival in Vienna. Hence, during this period, he mastered the Viennese style of Haydn & Mozart. He consequently began increasing the size and scale of his works. Furthermore, he experimented with extreme dynamics, and likewise extreme tempi. He worked similarly with chromatic harmony. His First and Second Symphonies, therefore, belong to this period. Other important works also belong here: the first six string quartets and the Sonata Pathétique, Op. 13. Second Period His second period probably began as soon as he realized that he was going deaf. During this period, it seems like he became obsessed with the idea of heroism. His works consequently become even larger and more massive. The most noteworthy of these include the symphonies 3 – 8, piano concertos 5& 6, 5 string quartets, several important piano sonatas (Waldstein and Appassionata), the Kreutzer violin sonata, the violin concerto and his only opera: Fidelio. Third Period In contrast, Beethoven's third period is branded above all by works of incredible intellectual depth, formal innovation, and penetrating expression. It seems like he continued to expand his works. Consequently, the string quartet Op. 131 spills over into seven connected movements. Likewise, in the Ninth Symphony, he adds choral forces to his orchestra probably for the first time in history. Even more, other works from this period include his Missa solemnis, the final 5 string quartets (including the enormous Große Fuge) and the final five sonatas for piano. www.jamesguthrie.com.
$24.95 ≈
23.11€
Beethoven: Adagio from Sonata Pathetique for Viola & Piano
Beethoven: Adagio from Sonata Pathetique for Viola & Piano
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Alto, Piano
#
INTERMÉDIAIRE
#
Classique
#
Ludwig van Beethoven
#
James M
#
piano concertos 1-5
#
Beethoven: Adagio from Sonata
#
jmsgu3
#
Piano,Viola - Level 3 - SKU: A0.549634 Composed by Ludwig van Beethoven. Arranged by James M. Guthrie, ASCAP. Concert,Instructional,Romantic Period,Sacr...
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Piano,Viola - Level 3 - SKU: A0.549634 Composed by Ludwig van Beethoven. Arranged by James M. Guthrie, ASCAP. Concert,Instructional,Romantic Period,Sacred,Standards. Score and part. 16 pages. Jmsgu3 #3516289. Published by jmsgu3 (A0.549634). Duration: ca 5:20, Score: 8 pages, solo part: 3 pages, piano part: 4 pages. One of Beethoven's finest and most famous works. Program for a recital, church meditation or school program. Sonata Pathétique Op. 13 First of all, this is an arrangement of the second movement of Beethoven’s Sonata Pathétique. It seems like Beethoven wrote this piece before becoming troubled by deafness. Published in 1799, it consequently remains one of the most celebrated pieces Beethoven ever wrote. As a result of its popularity, the movement was therefore performed by Karl Haas. Hass recorded it for a popular radio show called: Adventures in Good Music. Beethoven Background Ludwig van Beethoven (1770 –1827) was certainly a German pianist. Above all, he was probably one of the greatest composers in history. As a result, he is a pivotal character in the progress between the Classical and Romantic periods. He is certainly one of the most famous and hence important of all composers. Seems like his most familiar and noteworthy works include symphonies 1-9; piano concertos 1-5; and furthermore, the violin concerto. Also, certainly of extreme importance are the noteworthy 32 sonatas for the piano; the string quartets 1-16; the Missa solemnis; and likewise, his only opera, Fidelio. Beethoven Overview First of all, Beethoven was born and consequently raised in Bonn. Upon turning 21 he moved to Vienna probably to study composition with Haydn. That’s when he consequently grew a reputation as a brilliant pianist. Furthermore, he probably stayed in Vienna for the rest of his life. In his late 20s, it seems like his hearing certainly began to decline. It slowly declined until consequently, he was nearly totally deaf probably by the last decade of his life. As a result, he stopped conducting and performing. Nevertheless, he continued to compose. As a result, some of his greatest works probably come from this period. First Period Seems like we often divide Beethoven’s life into three periods. Period 1 begins with Beethoven’s arrival in Vienna. Hence, during this period, he mastered the Viennese style of Haydn & Mozart. He consequently began increasing the size and scale of his works. Furthermore, he experimented with extreme dynamics, and likewise extreme tempi. He worked similarly with chromatic harmony. His First and Second Symphonies, therefore, belong to this period. Other important works also belong here: the first six string quartets and the Sonata Pathétique, Op. 13. Second Period His second period probably began as soon as he realized that he was going deaf. During this period, it seems like he became obsessed with the idea of heroism. His works consequently become even larger and more massive. The most noteworthy of these include the symphonies 3 – 8, piano concertos 5& 6, 5 string quartets, several important piano sonatas (Waldstein and Appassionata), the Kreutzer violin sonata, the violin concerto and his only opera: Fidelio. Third Period In contrast, Beethoven's third period is branded above all by works of incredible intellectual depth, formal innovation, and penetrating expression. It seems like he continued to expand his works. Consequently, the string quartet Op. 131 spills over into seven connected movements. Likewise, in the Ninth Symphony, he adds choral forces to his orchestra probably for the first time in history. Even more, other works from this period include his Missa solemnis, the final 5 string quartets (including the enormous Große Fuge) and the final five sonatas for piano.
$24.95 ≈
23.11€
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5 Pieces for String Quartet
